One of the major criticisms of self-publishing is that self-publishing services take advantage of authors – promising them a quick route to success that is wholly unrealistic. I’ve argued that a lot of this falls on the authors themselves, not on the subsidy service. Authors have to do some research on costs and what can realistically be achieved through self-publishing. This came to light in a recent comment on SPR’s AuthorHouse review. A writer said he poured his limited savings into his AuthorHouse book and received little in return. The commenter – who goes by “Feeling Cheated” – said:
AuthorHouse is not a good choice. AuthorHouse makes most its money from its authors, not from sales to readers—which are very few, at least in my case (3 books). It makes money off the author during the publishing process and makes most the profit when a book is sold. And most of the books sold are those sold to the author, not to the buying public. I have a paperback novel with AuthorHouse that sells for $20. I earn about a dollar per book.
Part of the problem is that AuthorHouse makes so much money from production that the books are priced beyond what customers will pay for them, such as $20 for a paperback. If the author wishes to sell the book for less than the recommended price, he makes little or nothing. The result is the books don’t sell. But AuthorHouse doesn’t care because, as I said, it makes its money from the author: from high production profits, books sold to the author, and lots of other expensive options and services. Also, AuthorHouse keeps the rights to the final PDF format of the book and the cover art—even though in my case I selected the designs for my books. Thus if you want to go to a different publisher, you have to start the entire process all over again.
I published three books with AuthorHouse for over $10,000 (much more if the costs of the books I bought is included) and have earned about a $100–that right one hundred dollars. It’s not unusual to receive a royalty check for just a few dollars—even less than two dollars—for a book you devoted a couple years to writing.
AuthorHouse makes most its money from its authors, not from sales to readers.” This is true of all subsidy publishers, not just AuthorHouse – Lulu, iUniverse, whatever. They make their money in printing, and so the books are very expensive. That’s the main problem with subsidy publishers, so you can’t blame AuthorHouse for this – nor can you blame them for your book not selling…It sounds as if you have a problem with how your book was marketed, which isn’t AuthorHouse’s problem. They’re not your publisher, they’re your printer. It’s up to you, mostly, to handle the marketing of your book, unless you outsource PR. But even then, it’s hard to sell self-published books, no matter how good book might be. But don’t confuse that with the deficiency of who’s producing the book.
A better way to save on printing costs is to go with Lightning Source – but then you’ll be responsible for book design and editing, which can be more than an AuthorHouse package. I don’t think AuthorHouse is something to avoid if you want an easier self-publishing package. But nowhere would I ever make the claim that any subsidy publisher is a guaranteed way to sell books. That’s just not how they work.
Perhaps too callous, but the point remains – self-publishing services have gotten a bad rap because writers have confused the service with a publisher. Granted, if you visit AuthorHouse’s site, it says on the front page:
Is the word “SUCCESS” misleading? Or is it up to the writer to understand just what can be achieved by using a service like AuthorHouse? A little of both.
In an email, the author (who wishes to remain anonymous) responded:
Generally, I had been pretty satisfied with AuthorHouse, but there were some problems. I once added an epigram of about four lines and when I looked at the new galley it had four or five errors, which could have been avoided had the person just copied and paste what I sent. I even offered to make changes directly to the PDF manuscript and pay for them because I believed I was more careful than the people entering the changes.
One book had about three hundred footnotes. This turned out to be a disaster. There were hundreds of errors that resulted from the changeover from MS Word to whatever program AuthorHouse uses. I took a week off from work to do the corrections. I worked 8 to 10 hours each day. Still, the process took me two weeks to complete. As you know the corrections have to be written out and then are entered an employee. Thus, new errors were often created. I went just about nuts. AuthorHouse didn’t charge me, but the frustration of getting it right at my end and so much going wrong at their end was almost too much.
I believe there are many talented and serious people doing the work of design and editing at AuthorHouse, but there are others who seem to know very little about grammar and punctuation. For example, in making a change they might not only fail to follow my correction but then write something ungrammatical or misspelled in its place. What I had always desired was a team that I would always be working with during the publishing process, but it seemed that any number of people would be working on the manuscript. Working with the same people during the publishing process and for later books would have been helpful and reassuring. It’s the difference between the team method of building cars versus the long assembly-line approach that involves a hundred different workers, all of whom the car encounters only once.
Usually, when I published a book with AuthorHouse I paid for a package that cost me about $3000. I did not pay to have the book advertised in the N.Y. Times, that was way beyond my budget. I did pay for extensive press releases and all the online options. I paid for the bookstore return policy, which I believed was about $600. In other words, enough options to give the books a fair chance, but I could never go much over $3000. Some of this I paid for with a credit card, which I assume many authors do, so I had to be reasonable. It is possible to spend $10,000 on a book, and in one case I did spend for advertisements in three publications, but very little came of that and I decided to never repeat that mistake.
What disturbed me is how much AuthorHouse charges for printing each book and how much it receives on sales. I earn a dollar or less on each of my books. I kept my profit to a minimum to help sell the book, yet one of my books (novels) sells for $20 and the other for $24. I only earn about a dollar on each. But you can see that very few people are going to pay that much money for a paperback novel. I thought at the time that the high prices of the books could not be avoided.
In addition, AuthorHouse bombards me with advertising to buy my own book, which makes me think that they are mostly interested in selling my books to me. I doubt I’ve made $100 total from my three books over the past 3 or 4 years. Even if the books were poorly written, one would think I would have sold more than a couple dozen books.
I never wrote my books with the intention of making a lot of money but with the intention of getting my books read. Still, if the books don’t sell, they don’t get read.
Perhaps what is happening now is that self-publishing authors are beginning to have more publishers to choose from. That’s great, though too late to help me. I’m retired now and live on about $20,000 a year. Fortunately my wife works, but together we make enough to pay the mortgage and other bills. I can’t afford to throw away $3000 to publish another book that will never sell. I may give it one more try, but it will take awhile. Also, that is why I want to remain anonymous. At this point AuthorHouse could give me back my books, but I couldn’t afford to do anything with them. At least they have some life with AuthorHouse.
I’m not so much angry with AuthorHouse as deeply disappointed. The people I worked with are good people. I often think of them as being about college age. But I am very skeptical about the organization itself and the people who run it. It seems to have a cynical Big Brother quality to it—that its mission is not really to sell books but simply to print them (I believe you said that) and to make as much money as possible off the author. Mr. Levine seems to think that there are self-publishing publishers who do care about the author, about the quality of the product, and about selling books to the reading public. And I think it’s important that authors like myself (who invest all their extra income and thousands of hours into getting a books published) know about these publishers so they can make the best choice possible for themselves.
By the way, after trying to get my first book published with a conventional publisher, I gave up on doing that for the other books. An author can lose a year going the route of finding an agent and getting a publisher. It’s not worth it if you’re working fulltime and trying to write books. That’s the beauty of self-publishing, that and being able to revise after the book is published, which I have done with all my books.
I’ve already talked too much. Thanks again for your time and interest.
Again, I don’t want to seem callous, but a lot of the above is avoidable. It’s also evidence of how self-publishing services could be blamed for problems in very much the same way that writers themselves are blamed for the quality of self-published books. An example: “I once added an epigram of about four lines and when I looked at the new galley it had four or five errors, which could have been avoided had the person just copied and paste what I sent.” This could just as easily happen when dealing with someone at a traditional publisher. AuthorHouse may very well have dropped the ball on this book, but problems like this aren’t unique to self-publishing. The difference (and it’s significant) is that AuthorHouse is being paid for their services, so obviously they should do the job well. But in every creative pursuit, things often take longer than anticipated, even if you’re handling every detail yourself.
I sound like an apologist for AuthorHouse. I just want to caution against calling something a scam when it has some functional flaws. Personally, I see it as a miracle when something is done correctly the first time, on deadline. That said, subsidy publishers certainly need to improve their customer support and services. Lulu’s CEO’s quote, “We have easily published the largest collection of bad poetry in the history of mankind,” demonstrates how subsidy publishers see writers as dollar signs and not as talent. This has to change. But it’s not necessarily evidence that subsidy publishers are fundamentally unsound.
Additionally, the problem with the cost of books bears repeating. This is one of the major problems with print on demand. Not only are books being put out by untested writers, they’re more expensive. Put those two things together and it’s unsurprising if people have a hard time selling books. Again, this isn’t the problem with AuthorHouse, it’s the problem with print on demand technology. While you could just go directly to Lightning Source, which has a much lower cost per book than subsidy services, you’re also going to have to pour money into book cover design and editing, which cost more in the long run. It’s up to the writer to weigh these issues.
It’s a shame that people have lost money with subsidy publishers, thinking they were going to be a lot more successful than the end result. But the scenario is not much different than any type of investment. Investors need to check the risks and rewards before putting down any money, and if the investment doesn’t pay off, it’s not necessarily the fault of the investment. The emailer does admit that he did not do enough research. He says, “To be honest, I never thought there was a problem with AuthorHouse until I read The Fine Print of Self-Publishing by Mark Levine…After reading Mr. Levine’s book, I felt taken.” If he had done that research before signing up with the service, these problems could have been avoided.
Self-published books are expensive and difficult to market, that’s a plain fact across the board for all subsidy publishers. But this doesn’t make them all scam outfits like Publish America, which set the standard for making misleading claims – stating they were not a POD publisher and books would be distributed to brick and mortar stores, among other things. AuthorHouse does walk a fine line by putting the words “SUCCESS” in bold print on their site, but until they say, “You WILL sell 10,000 books” in their marketing material, it’s sort of a gray area, and much of the research into what can be gained by self-publishing falls on the back of the writer. That’s why they call it self-publishing.
About the Reviewer: Henry Baum
Author of The American Book of the Dead, which won Best Fiction at the DIY Book Festival and the Gold IPPY Award for Visionary Fiction. Largehearted Boy says it's "reminiscent of Philip K. Dick and Haruki Murakami, a book that boldly explores the future and defies genre." Also the author of North of Sunset, winner of the Hollywood Book Festival Grand Prize, and The Golden Calf - first published by Soft Skull Press, with editions in the U.K. (Rebel Inc.) and France (Hachette Littératures). Henry was a finalist along with Alan Moore and Dr Brooke Magnanti for his novel " God's Wife" at for Best Writer at The Erotic Awards London UK in 2013. He lives with his wife Cate Baum in Los Angeles. He is the founder of SPR. Visit henrybaum.com for more information.