Self-Publishing Review

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An Interview With Ryan Lybeck, Graphic Designer

 

Feb 24 2011in Features, Interviews by Levi MontgomeryTags: , , , ,
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You never know where a connection may be lurking. I have Moo cards of all my books, with the front cover on one side, in full color and almost exactly the same aspect ratio as the finished book, and my website and email address on the back. I’m far too willing to ask people, after [...]

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Bill See Discusses New Coming of Age Memoir “33 Days”

 

Feb 9 2011in Interviews by Bill SeeTags: , , , , ,
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Longtime Los Angeles indie rock musician Bill See just released his new coming of age “docu-drama” memoir “33 Days.”  This is a recent quick Q & A with him from his Miracle Mile home. Q. How did you come to self-publish? Did you try to get published traditionally? A. D.I.Y. is in my blood from [...]

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Author Interview with Myne Whitman by David Wisehart

 

Nov 30 2010in Features, Interviews by Myne WhitmanTags: , , , , ,
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First published on the Kindle Author Blog by David Wiseheart. I spoke with Myne Whitman, author of A Heart to Mend, about her novel, working with Author House, and self-publishing on Kindle. DAVID WISEHART: What can you tell us about your novel, A Heart to Mend? MYNE WHITMAN: A Heart to Mend narrates a love [...]

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Sarah Ettritch – Author Interview

 

Nov 4 2010in Interviews, Member Blog by Sarah EttritchTags:
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1. How did you come to self-publish? It’s an exciting time for self-publishers right now, especially in the digital arena. Not long ago the traditional route was the clear choice for fiction, but with the rise of online bookstores and now eBooks, it’s a tougher call. Since my book The Salbine Sisters has well-defined target [...]

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SPR interviews Mark Coker of Smashwords

 

Aug 5 2010in Interviews, Lead Story by John SundmanTags: , , ,
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For the last century, publishers controlled the means of book production and book distribution. If authors wanted to reach readers, they had no choice but to kneel before the publishing oligopolists who had the power to determine who got published, and what readers read. The system worked fantastically well for the publishers, [. . .] but less well for the authors they published, and even less well for the vast majority of authors who could never gain access to the cliquey club of the published.

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