Features

Articles, how-to’s, opinion and tips and tricks in the self-publishing arena

On Editing

I’ve spent the day reading a self-published sci-fi potboiler–first in a trilogy–that I bought in the Amazon Kindle store after reading the entire sample. The grammatical and writing errors in the sample were few enough for me to go ahead and spend $3.99. As the book progressed, however, I became increasingly distracted by mounting disregard for my investment in time.

This writer has little use for commas, except for what I suppose is garnish. And he fails at every opportunity to trim superfluous words: “The boots she wore on her feet” is a mild example. Crashing several sentences together is […]

2011-10-08T18:05:54+02:00July 19th, 2010|Categories: Features|

The Trouble with Amazon Critics

There’s an interesting post at the Nation called The Trouble with Amazon that’s a few shades too negative about Amazon’s influence on publishing.  Though Amazon has done some seriously shady things regarding pricing and strong-arming publishers, it also has advantages.  The main issue I have with the piece is this:

Take the issue of choice: when it comes to the books it stocks, Amazon makes no pretense of selectivity. Provided it carries an ISBN and isn’t offensive, Amazon is happy to sell any book Joe Schmo cares to publish. “We want to make every book available—the good, the bad and

[…]
2017-01-24T05:29:45+02:00July 19th, 2010|Categories: Features|

Some Prod, Others Plod. Do First Lines Really Matter?

FIRST lines are a book’s greeting to the reader and therefore a vital element in the whole. If it strikes the wrong note, a weak opening can nullify a great cover or an enticing jacket blurb. On the other hand, a good initial hook captures the reader from the start.

Yet does it signal a bestseller? Consider some of these.

One of my favourite openings is from 1984 by George Orwell, and reads thus: It was a bright cold day in April, and the clocks were striking thirteen.

Now here’s another teaser, simple but grabbing, from The Invisible Man by […]

2011-10-08T17:26:34+02:00July 14th, 2010|Categories: Features|

You’re a Slush-Pile Slave

Some people fear the new era of indie publishing will lead to a tide of bad books, with readers swamped by millions of titles.

This fear is fed in part by fearful gatekeepers like Laura Miller of Salon, whose recent article warned of readers faced with unlimited choices and how terrible this is going to be (because Laura Miller will no longer have to tell them what they need to read from among the limited number of major titles of which she approves).

It took about 15 years for Amazon to reach five million paper titles. Last year, three-fourths of […]

2011-10-08T17:29:03+02:00July 6th, 2010|Categories: Features|

How Readers Benefit from Independent Authors

Readers are no longer restricted to what business people with a payroll to meet consider marketable. The explosion of independent writing and publishing has broken the dam that publishing businesses erected to prevent most writers from seeking an audience.

The burgeoning quantity of titles in print or ebook formats is the result of authors producing their work independently. Some readers might rightly feel overwhelmed by the vast selection, but many are also delighted by the consumer-oriented benefits that independent writers are bringing to the marketplace.

Reader friendly pricing

In the ebook market especially, independent authors have been a major force […]

2011-10-08T17:29:24+02:00June 30th, 2010|Categories: Features|

It is All Right to Make a Profit with your Writing

The “starving artist” cliché has been used to describe those in the creative fields for quite a while. It has been part of history that artists of the past were never appreciated until they were dead, crazy, and usually some combination of both. Pieces of art that are worth millions now didn’t make their artists rich while they lived. History doesn’t bode well for what I’m about to talk about. Now, we come to authors.

Writing a novel, painting, sculpting, music, designing, are all creative works, subject to other individuals appreciation of them. They don’t serve the same kind of […]

2020-02-21T03:59:50+02:00June 30th, 2010|Categories: Features, Member Blog|Tags: |

Dan Clowes and Philip K. Dick on Self-Publishing

OK, not really. But in the tradition of Cheryl Anne Gardner’s What a Pod Peep Reads, here’s what I’ve been reading:

and

The trajectory of underground comics is somewhat similar to that of self-publishing – something that no one took seriously, and now is given art exhibitions. From an interview with Dan Clowes:

Early in your career, did you find that people had a difficult time labeling you? The type of work you produced wasn’t your typical style of comic.

They still have a difficult time. I’ve been called everything from a “graphic novelist” to a “comic-strip novelist”

[…]
2011-10-08T17:30:13+02:00June 29th, 2010|Categories: Features|

Why So Much Hostility Toward the Mainstream?

Editor’s Note: This post is in response to the discussion in this post.

I can understand why you’d rather publish yourself. I can understand not wanting to wait to be noticed. I can understand why you might think traditional publishing is elitist or backwards–or even stupid.

I am personally hostile to a number of what have become standard practices in traditional publishing. I am even hostile toward individual traditional publishers and even individuals in traditional publishing. At least I have had the dubious pleasure of working within or somewhat within the system for decades, having come by my hostility […]

2011-10-08T18:22:57+02:00June 26th, 2010|Categories: Features|
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