
The novel is an ambitious and multi-layered story about art, business, environmentalism, and family, with the city of Rotterdam playing a central role. Just as the story is in part about multi-culturalism and the clash between conservatism and modernity, Henk himself is a multi-faceted and sometimes contradictory character. He’s frustrating at times, but always interesting.
Henk’s character alone would be enough to fill out a novel, but there are a number of secondary characters and subplots that build on the overall the theme – namely the battle between present-day upheaval and the idealization of the past. His daughter is also fascinating, albeit occasionally as frustrating as her father. But then, that is core to the book’s outlook: a warts and all perspective on the human condition. This works on both a micro and macro level; Dröge is looking at the microcosm of the self as a reflection of the macrocosm of society.
There’s a bit of difficulty in the translation, so some of the language seems stilted and hard to sift through. Once you get into the rhythm of the novel, it takes on a kind of language of its own. Overall, it’s a compelling story because of its ambition – a character-driven novel that’s not just about one man, or one city, but the nature of existence.
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